Estonian film

The story behind “Kati and me” – adventure, friendship and meeting Canadian Estonians

Reelika Virunurm explores the story behind “Kati and me” – how an Estonian girl called “Kati” prompted a Canadian couple to visit Estonia, fall in love with the country, and make a short film about it – the film which has become an internet sensation in last few weeks.

It all started with Estonian World sharing the short film “Kati and me” – surprisingly the only film ever submitted to the Estonian film festival “EstDocs” in Toronto by two people of non-Estonian heritage. From EW it was picked up by Edward Lucas, who is known for his affinity towards Estonia, with president Toomas Hendrik Ilves and the Estonian, Canadian and Baltic media following. The film clip has already been viewed more than 50,000 times on YouTube. As one of Kati´s Canadian friends wrote to her after the tweet from the president: “Are there only like 30 people living in Estonia, or how does that happen? Seems suspicious…”

The Canadian couple Mike Dell and Kimberly Bagayawa, authors of the humorous short film, put together most of it just within five days. The idea had taken root when Kati was about to leave Canada, so they were determined to visit the country themselves. Since the video has gone viral, a lot of people have also been contacting them asking how Kati is doing and whether they are still friends. Since I´m lucky enough to know all the accomplices personally, I decided to tell their story. What lies behind this tale of Estonian-Canadian friendship? Who is Kati and what did she do to make her Canadian flatmates not only to fly thousands of kilometres to visit Estonia (and granny´s farmhouse), but also to make a film about their experience?


“We were like peas in a pod… or raisins in a loaf of kringel”

Like many adventures, this one started at the airport. We picked Kati up, and we admit to having been nervous as we wanted her to feel comfortable in Toronto, and in our apartment, being so far away from home. We had already exchanged a lot of e-mails, and she seemed very easy-going and friendly.

Mike: Kati still claims she gave us a hug right away at the airport, but I remember it was a handshake!

Kim: It did become comfortable with her living here in a very short time. Her first Friday night in Toronto she joined us for a dinner party with friends, which turned into an all-weekend spontaneous trip to Niagara Falls! The first weekend was already crazy, we even went gambling there, it was her first time ever in a casino. I guess it was kind of an initiation ritual and she passed. That´s when we realised that she´s not shy at all, and that if she can do this spontaneous stuff with us, she must be pretty open-minded.

Mike: And luckily she didn´t get addicted to gambling…

“Over morning coffee, we´d learn all about granny, the farmhouse, long summer days in June and Estonian history”

At first it was just like we said in the film – fun and relaxed conversations over morning coffee. (And evening wine). In Canada there are so many different nationalities living together, but we didn´t know anything about Estonia really, so we asked Kati a lot of questions. And we heard about granny a lot!

We watched the film about the Singing Revolution together, which gave us a very good overview on the hardships Estonia went through, and the love of Estonians for their country. “Suvi” was a bit lighter to watch after that, but Mike did fell asleep.

Mike: Around Christmas, Kati tried to make mulled wine at home, but kept telling us “this is not quite what it´s supposed to taste like”. Then we went to the local Swedish Christmas market, ate a lot of gingerbread cookies and savoured the mulled wine there.

When and how did you get the idea for the film?

Mike and Kim: Just a few days before Kati was leaving at the end of February, we went to the opening of the exhibition she had helped to organise, called “Am I Estonian?” After the opening, everybody had delicious kringel and coffee, and flyers about the EstDocs Festival were being passed around. We asked if we can also make a film even if were not Estonians, and they said the festival is open for everyone.

Kim: Afterwards we realised that we should have taken more videos when she was here. But it was not until July that we decided to take the trip to Estonia.

Mike: After visiting Estonia (and also Hannover where Kati is currently living), we had very little time to put it all together. We were discussing it on the flight home, and decided the movie had to be on Estonian spirit. We came up with everything on the plane actually! We put together the videos and the photos, and I added the music. It was pretty much done in five days, and we submitted it only a few hours before the deadline.

Kim: When I went to deliver the DVD, the lady receiving it cast me a very funny look at first, like I was lost. Apparently we were the first non-Estonians to submit a video to this festival.

“In order to really grasp the spirit of Estonia… we needed to see Estonia for ourselves”

Kim: I remember driving to Kati´s house, it was late at night, with all the winding roads and the dark forest all around. I had a very surreal feeling when we finally arrived. We had only seen granny´s house on Google maps, and after actually seeing it for real, I couldn´t believe that we had really travelled all this way!

Mike: We wanted to meet Kati´s family most of all of course. There was a huge supper waiting for us and everybody was so nice and hospitable. And we had heard so much about everyone, so it felt like we knew them right away. It felt really special.

“We drove for miles and miles into the Estonian countryside, stopping at manors, castles and taverns along the way”

Mike: We saw a lot in five days, but most of all just tried to grasp the spirit of the people. And I guess everyone is saying that Tallinn´s Old Town is amazing?

I know what I found to be really special – all the manors and castles we went to, always had a piano. In Canada we have pianos all over the place as well, but always locked up, forbidden to touch. There they even kindly asked me to play everywhere we went to! It was like living history, one of the pianos was quite ancient and had belonged to a famous Russian composer. They would never let you lay a finger on it in Canada, they would have armed guards and snipers on the roof guarding it. 

“No wait, that´s Madonna. She´s not Estonian”

Kim: And then there was the night in Püssirohukelder in Tartu…

Mike: Well, I learned some important things there. I ordered a half-liter beer, looked around and realised that only women were drinking half-liter beers! All the men had one-liter beer mugs. So I had to blend in. After that, everything got kind of fuzzy really fast… But the karaoke part was great though.

“It´s the feeling that seems to hold everything together, the spirit. Its what bridges the new and the old, the city and the rolling countryside, the medieval and modern, singing to Skype, granny to granddaughter…”

Kim: There was one very magical night called Muinastulede öö (night of the ancient bonfires). We were told that it is a tradition in the Nordic countries to light bonfires on the last weekend of August on the seaside. Kati took us to Viimsi, one of the seaside parts of Tallinn, we had dinner at the restaurant “Paat”, and afterwards everyone went to the sea and lighted up some small lanterns and released them all together into the night sky. It was very magical. This proved us again how the Estonians still value their old traditions, and mix them with all the cool innovative stuff they have come up with.

Mike: A strange coincidence also occurred. On our last day in Tallinn we were walking in Kadriorg and noticed two girls shooting a dance video. Back home, we got a message on YouTube from someone who had enjoyed the film. When we checked her channel, she was the author of the same dance video they had shot in Kadriorg! Now I believe everybody knows everyone somehow in Estonia!

Afterwards, I´m meeting Kati – or Katre Viilvere, as she is otherwise known – the star of the film, at a cafe in Hannover, Germany, where we both currently live. We have been very good friends for over three years. As two Estonians living abroad, not only did we offer mutual support to each other during our master studies at the Hannover University, we also share the pain of missing black bread and sour cream; and have watched together the whole series of “Tuulepealne Maa”.

Although being blond and speaking German without an accent often results in Kati being mistaken to be a German, she is in fact very proud to be Estonian. So when she had to choose topic for her master thesis, she decided to associate it with her semester abroad and do research on the young Canadian-born Estonians living in Toronto, one of the largest Estonian communities outside of Estonia.

Kati, why did you decide to go to Canada in the first place?

I was really hoping to do my internship somewhere Estonian-related and maybe even use it for my thesis later on. At first I contacted some Estonian embassies abroad, and the Embassy of Ottawa sent me the contacts of Piret Noorhani, coordinator at the VEMU Estonian Studies Centre in Toronto. I did not have a specific topic for my research at first, but arriving in Canada and talking to the Estonians there helped to get things rolling.

Mike and Kim made me feel at home right away – it is amazing how fast some people can become your good friends. After having lived there for a month, we all felt like it has been a year at least.

What is your secret – how did you get Mike and Kim so interested in our small country and its  culture?

I have been living abroad for some time and always telling people more about Estonia comes naturally to me. It´s harder coming from a small country I guess. But Kim and Mike were also very open-minded and curious. I showed them a lot of photos and played Estonian music. We also went to eat at the cafe at the Estonian House. I think we had some cabbage rolls, stroganov and stritsel. Mike wasn´t convinced he should try the blood sausage though…

Arriving in Canada

Coincidentally, almost the first thing I did after arriving in Toronto in October 2011 was going to the EstDocs festival. There were so many Estonians, I ate a lot of kringel and heard everyone speaking Estonian. Seemed surreal at first, being so far away from home. Later I noticed there really was kringel at every Estonian event I went to!

The Canadian Estonian community there is very active, it amazed me how many opportunities they have to be socially active – Estonian School, many organizations, choirs, summer camps for the children. I was gradually introduced to all of it after starting my internship at VEMU Estonian Studies Centre and interviewing Estonians of different generations for my research.

Meeting Canadian-born Estonians

Meeting a lot of people from the first generation of Estonians who had emigrated to Canada during or after the World War II was very special. Although they had been living there for over half a century, most of them spoke Estonian without an accent! It felt like home, talking to them, they were very sweet and not at all different from my own grandparents in Estonia.

Until now, the Estonian community has been very strong thanks to the older generation who have kind of built and maintained it, but things are about to change. The third generation is also taking a strong interest in being Estonian, and keeping their Estonian heritage alive.The young Canadian-born Estonians realise that it is their responsibility after their parents and grandparents. They are prepared to fight for it.

During my interviews, most of the young Estonians who are born in Canada, acknowledged that one of the modern “dangers” is that they have very many interests due to growing up in a multicultural society, and also due to globalisation. This is kind of the downside to globalisation – having too many opportunities and trying to conform them with your heritage. They have so many opportunities that it is getting harder to also find time to concentrate on just one thing. Most of the young Canadian-born are also learning and using Estonian, but English is still dominant and the daily language.

Still, there is also a positive side to globalisation – it is much easier for Canadian-born Estonians to maintain contact with Estonia, and their friends and relatives there (especially compared to the Soviet times). Travelling is easier and many young people own a double citizenship, allowing them to go study or work in Estonia, and Europe in general. The social media – Skype, Facebook – also play a great role, their grandparents had very few means of keeping in touch with Estonia.

Third-generation Estonians and their secret language

It did surprise me a little that the young people of the third generation still strongly believe in maintaining a strong Estonian community in Canada. The Estonian language is very important to them – it is something special, like a secret language among themselves! The summer camps Jõekääru, Seedrioru and Kotkajärve carry a very special meaning as well. Talking Estonian is not a must there though, everyone has an equal opportunity to take part and form friendships. They value their friendship with other Estonians, as something more special than with other Canadians.

The younger generation would like to have more diverse events to preserve the interest and the feeling of being Estonian – besides old traditions like singing in a choir and folk dance, they wish for more modern events. Some of the ideas offered were an Estonian theatre group, or even a special youth house for spending time together, as not everyone attends the Estonian School.

“Am I Estonian?” exhibition

My wonderful coordinator in VEMU, Piret Noorhani, came up with the idea to organise an exhibition based on my research on the Estonian third generation in Canada. We started putting it together in December last year and the opening was in February, on my last night in Canada. I also received a lot of help from Kirsten Dobbin and Kerly Ilves. We put together photos, quotes from the interviews, and a lot of personal objects, symbolising what being Estonian meant for them – books, dolls, flags, beermugs and handcrafts. On the opening night we had over 100 visitors and a two-hour culture program. The exhibition itself was sent further to Tartu Kirjandusmuuseum.

Let´s end this with a cliché  –  and what does it mean for you to be Estonian?

Speaking our unique language and celebrating all the special traditions. I am grateful for the opportunities I have had – to go to university abroad, live in different countries and travel a lot. I´m not quite sure about my future plans right now, but I will most definitely always be Estonian.  Living abroad has taught me to appreciate and notice everything special about Estonia – let it be either granny´s farmhouse or Estonian pure nature and countryside.


The 8th Annual EstDocs Festival successfully came to an end (video)

EstDocs is an annual not-for-profit Estonian documentary film festival and competition held in Toronto, that presents stories from Estonia. Its mission is to provide a 360-degree perspective on Estonian history, politics, arts, culture, sport, and other subjects.

This year’s EstDocs Festival raised its curtains on October 11 in Toronto and drew in over 1,300 audience members to witness unique Estonian filmmaking talent on the big screen in venues across the city. Mark Soosaar, a legendary Estonian documentary filmmaker, and Jaan Tootsen, a rising talent whose film “The New World/Uus Maailm” had its North American premiere at the festival, engaged with audiences each evening in provocative Q&A’s and discussions. Award winners for EstDocs 2012 were announced on its closing night of Tuesday October 16th. The Jury Award Honourable Mention went to Andy Stands Up//Andy astub üles directed by Elen Lotman and produced by Madis Tüür and Juriidiline Keha. The Audience Award went to Ballerina Blues//Sinine Kõrb directed by Ruti Murusalu and produced by Erik Norkroos, Priit Vaher and Umberto Productions, and the Jury Prize was awarded to The Colours of the Islands//Saarte Värvid directed by Madli Lääne and produced by Pille Rünk and Allfilm.

EstDocs also organises a Short Film competition every year. This year, the First Place Award went for “Lauküla Koit”, directed by Maria Kivirand & Robi Uppin.

The Third Place Award went for “Kati and Me” – a lovely and humorous short film, created by a Canadian couple Kim Bagayawa & Mike Dell. It’s about how they discovered Estonia via their Estonian friend “Kati”. We have published the film at full length here – and highly recommend seeing it!


Photos by Nicholas Jones/EstDocs.

Video: short film “Kati and Me”.

EstDocs 2012 Celebrates a Century of Estonian Cinema in Toronto (Video)

EstDocs is an annual not-for-profit Estonian documentary film festival and competition held in Toronto, that presents stories from Estonia. Its mission is to provide a 360-degree perspective on Estonian history, politics, arts, culture, sport, and other subjects.

Established in 2005 and so far visited by over 10 000 film lovers, EstDocs has raised the profile of up-and-coming filmmakers and had the pleasure of featuring the country’s top internationally recognized filmmaking talent. All public screenings are either in English or have English subtitles.

As EstDocs announces its 8th annual return to Toronto, this year also marks the 100th year anniversary of Estonian film. In spring, the occasion was commemorated around the Europe, so it came to EstDocs to invite cinephiles to celebrate the birth of Estonian cinema in Canada. The festival showcases North American premieres from Thursday October 11 to Tuesday October 16 in Toronto.

Canada is home to one of the largest Estonian populations outside Estonia. However, EstDocs audiences are not limited to people of Estonian heritage. The festival’s award-winning documentaries (all with English subtitles) appeal to film lovers of all backgrounds and ages. Keeping with tradition, certain screenings are preceded by a reception and followed by a provocative Q&A with the filmmakers.

“The films chosen for EstDocs are sure to provide you with a window into the heart and soul of our small country. Without the might of larger nations, Estonian self-reliance, tenacity and inventiveness has translated into unique perspectives on the world and how to thrive within it,” said Toomas Hendrik Ilves, President of Estonia. “As you view this year’s films, look for these traits in the characters and the stories they tell.”

This year’s EstDocs moderator is Mark Soosaar, Estonian film director, cinematographer and a former member of parliament. Soosaar is widely and positively revered as the Grand Old Man of Estonian documentary cinema. With former Estonian President and author Lennart Meri, Soosaar founded the successful Pärnu International Documentary and Anthropology Films Festival. Previous moderators have respectively been Kiur Aarma, Jaak Kilmi, Ilmar Raag and Artur Talvik .

“One hundred years later, Estonian cinema continues to bring such unique and transformative films to the world stage and I’m thrilled that EstDocs plays a role in shining a light on these distinctive documentaries,” said Ellen Valter, festival director of EstDocs. “Our festival is solely comprised of volunteer efforts; people who are passionate about providing audiences with the chance to view critically acclaimed films they would otherwise not have the opportunity to see in theatres here.”

For Estdocs 2012, award-winning Estonian producer Jaak Kilmi and director Jaan Tootsen present “New World”, awarded Estonia’s Best Film of 2011 by the Association of Estonian Film Critics. Also included in the line-up are “Outside the Sphere” by award-winning Canadian filmmaker Marcus Kolga, “Another Dimension” by Moonika Siimets, which caused quite a stir in homeland, and  “Playing on Water” – film about the renowned conductor Neeme Järvi. “Songs of the Ancient Sea” (trailer) by Rose-Marie Schneider and Erik Norkroos features renowned composer, Veljo Tormis’ journey from shamanism to modernism to uncover the roots behind ancient folk songs.

Estonia sends Toomas Hussar’s debut film Mushrooming to Oscars 2013 (Video)

Toomas Hussar’s film Mushrooming will compete for an Academy Award in Best Foreign Film category at Oscars in 2013. The debut feature premiered at Karlovy Vary film festival, before also showing in Toronto International Film Festival. The story follows a politician who tries to take a break from work by mushroom picking, only to get lost in the wilderness while a media scandal is brewing.

Since regaining independence in 1991, Estonia has been confronted with all manner of changes: new currencies, open borders, free markets, a free media. Toomas Hussar’s Mushrooming addresses the impact of the liberated media on Estonian politics, with frequently hilarious results.

Aadu (Raivo E. Tamm), a stodgy, middle-aged politician, is being rushed off to a television studio by his communications director, who seems more concerned with drying her nails than with her boss’ misgivings about his scheduled appearance. Yet Aadu isn’t nervous about going on TV to be grilled on policy: he’s actually on his way to take part in one of the country’s top game shows, “Hop and Jump”, which pits contestants against each other while seated on large, bouncing rubber balls. It will not be the only indignity he suffers. An ill-advised “traditional” day trip to pick mushrooms in the countryside with his wife, Viivi (Elina Reinold), is about to go horribly off the rails. Worse, a cynical reporter for a major daily newspaper is poring over Aadu’s expense reports.

Hussar’s satire is less about specific politics than the inanity of contemporary discourse, in which fame, no matter how fleeting, is the only thing that’s valued. (When Aadu’s small entourage runs afoul of an angry rural hermit, it isn’t because of what they stand for; it’s because they’re famous.) Of course, it doesn’t really matter how that fame is achieved. A farmer who recognizes Aadu is as impressed as if he’d just met a Nobel Prize winner — or maybe Brad Pitt. As a corollary, Hussar takes aim at our culture’s disinterest in — and growing lack of capacity for — thoughtful analysis or intelligent discussion, abandoned in favour of clichéd, sentimental posturing.

As the shaggy dog in this story, Aadu is a kind of anxiety-ridden Everyman for whom every experience, with the sole exception of nesting in his own house, is fraught with terror. Uncomfortable with the past, mortified by the present and terrified of the future, he’s a subversive and funny emblem of a country undergoing tremendous change, and of would-be shut-ins everywhere.

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